The Transformers. Directed by Michael Bay. Starring Shia LeBeouf, Josh Duhamel, and Megan Fox.
Some neo-liberal pundits are no doubt threatened by the challenge posed to heteronormative behavior in Michael Bay's
Transformers. The polyamorous nature of the spiritual-physical-emotional triad formed by Bumblebee, Sam Witwicky, and Mikaela Banes no doubt threatens the values of a red state AmeriKKKa content to label such transgressive relationships as a "menage a trois", rather than recognizing it as a legitimate form of resistance to the patriarchal domination of societal discourse.
"There is a special bond between man and machine," observes the used car salesman, Bobby Bolivia, an obviously coded reference to the use of vibrators amongst jaded heterosexual couples. With a wink and a nod, the car "dealer" acknowledges the difficulty of expressing one's individual sexuality under the ChimpyMcHalliburtonBushitler regime. One is left to imagine what other suppressed pleasures "Bolivia" would like to dabble in if only "the man" would get off his back.
The scene where the Autobots peep through the window as Mikaela and Sam search for his missing "eyeglasses" is an elaborate analogical mirror, a commentary on the oppresiveness of life under the scrutiny of the fascist police state in this age of the so called "Patriot-Act". Who watches the watchmen, the watcher or the watchee, the watcheree or the watchered? It's an unanswerable dramaturgical dyad, as Mikaela and Sam attempt to come to terms with their politico-sexual awakening under the hostile gaze of big brother.
Bumblebee's incarceration is an eloquent protest against the unauthorized and criminal detention of Afghani and Iraqi freedom fighters in gulags like Guantanamo Bay. Bumblebee is punished by the Christard Right Wing Death Squads for the flaunting of his polymorphous sexual expression. He unleashes a "golden shower" in an attempt to engage Agent Simmons in a dialogue on the outdated, puritanical, neo-Victorian "morality" of the bourgeois hegemony.
The oppressiveness of the bourgeois hegemony crumbles under the assault of the DECEPTI[neo]CON[servative]S as the middle class, represented by Agent Simmons, is forced to work with the proleteriat, symbolized by the Autobots, against the corrupt ruling class, embodied by the DECEPTI[neo]CON[servative]S. The climactic third act of the film is an obvious allegory for the combined might of a unified proletariat working in tandem with a middle class radicalized and reeducated by their working class brethern to create a utopian, socialist paradise where workers can control the means of RE/production.
Not since the elaborate anal sex metaphor (see K.Mathieu, "A Small ThermA[NA]L Exhaust Port? The Homoerotic Imagination of George Lucas",
Journale Du Filme) contained within
Star Wars has an American film maker shown such audacity when speaking truth to power.
Star Wars was made during the relative relaxation of the chokehold the military-industrial complex had on freedom of expression in AmeriKKKa during the benevolent despotism of President "Jimmy" Carter.
Transformers follows in the footsteps of the dissident film making tradition that was pioneered by independent film director George Lucas. That such a film was made during the reign of the Reagan-Bush-Quayle-Clinton-Gore-Bush/Gore-Cheney Junta (nobody was fooled by Bush/Gore's collaborating to steal the election from Nader) is nothing short of a monument to the bravery of director Michael Bay.
Labels: action films, Films, Josh Duhamel, Megan Fox, Michael Bay, Shia LaBeouf, The Transformers